Horror
Horror
Friday Sep 18, 2020
Macabre 620101-7 The Crystalline Man
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
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Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
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Friday Sep 18, 2020
Macabre 611218-6 The Avenger
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Friday Sep 18, 2020
Macabre 611211-5 The Midnight Horseman
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Friday Sep 18, 2020
Macabre 611204-4 The House In The Garden
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Friday Sep 18, 2020
Macabre 611127-3 The Man In The Mirror
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Friday Sep 18, 2020
Macabre 611120-2 Weekend
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Friday Sep 18, 2020
Macabre 611113-1 Final Resting Place
Friday Sep 18, 2020
Friday Sep 18, 2020
Macabre is a very interesting show. It was basically written and directed as a labor of love by radio employees who were not professional writers or actors, and yet, it aired worldwide during the period of OTR. (It slipped in just under the wire in 1962). The driving force behind the program was William Verdier, an Assistant Production Director for the FEN (Far East Network). He was a former NBC and CBS radio employee who ended up working in Japan for the Armed Forces Radio and Television Service (AFRTS). Drawing on his previous involvement with other radio dramas while working for NBC (Inner Sanctum, Suspense, and Ellery Queen), Verdier wrote seven out of the nine dramas for the new horror series, most of which he also directed. Other staff and local talent joined in the fun. The series actually began as the result of a contest between the FEN and the AFRTS in Germany. Both networks sent tapes to the AFRTS headquarters in Los Angeles, and FEN Toyko won (Digital Deli Too). The results of the series overall are mixed. The acting is decent, but at times, lackluster. Verdier plays the lead in numerous shows, probably because they had a tough time finding good actors without an accent who would work within the budget--assuming they had one. (The limited resources become especially obvious when they read the credits and most everyone is military personal, including the host, Staff Sergeant Al Lapage.) Some of the pre-recorded sound effects don't sound natural, and other pre-recorded music isn't always a good match for the action. But these are little things common in other programs as well, and they are easy to ignore when you're caught up in the story. Some of the plot devices seem a little strained, but then surprise you with a final twist. There are many scenes that are chilling, and Verdier goes out of his way to deliver the goods for horror fans. Like Vardier told the Pacific Stars and Stripes newspaper writer, "There will be no holds barred, and when people get killed, you will hear it happen." (Nov 13, 1961) If you were unaware of the background to this series and heard it, you probably wouldn't enjoy it as much. But knowing the people who did it were doing it for thrills, helps deliver the thrills for us as well. It makes you wonder why more people haven't taken up the radio drama challenge and produced fun stories like these. They don't have to be perfect to be good and scary, as Macabre proved decades ago.
---------------------------------------------------------------------------
Sherlock Holmes Radio Station Live 24/7 Click Here to Listen
https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441
----------------------------------------------------------------------------
Wednesday Nov 19, 2014
Weird Circle - The Black Parchment
Wednesday Nov 19, 2014
Wednesday Nov 19, 2014
#78. NBC syndication. "Black Parchment". The owner's wishes are granted as the parchment gets smaller and smaller. The last show of the series. Raphael Roland was an author and fool who found life too bitter to endure and went down to the river to end his life. However, he ends up saving the life of a drowning doctor who has found life too sweet to give up. The doctor invites him to his house with a promise to repay him beyond his wildest dreams. He gives him an instrument by which he can gain the riches he desires in the form of a parchment. By possessing the parchment he must will his life to it. Should he possess anything all he must do is wish for it and the wish will be granted but with the granting of each wish the parchment will shrink and when it disappears it is said that the owner will die…
The Weird Circle was a syndicated series produced in New York and licensed by Mutual, and later, NBC's Red network. For two seasons, it cranked out 39 shows (78 total) consisting mostly of radio adaptations of classic horror stories
The show's strength was stories from famous writers of the two genres, including Robert Lewis Stevenson, Victor Hugo, Edgar Alan Poe and even Charles Dickens. Most all of the stories came from the Victorian era or older.
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